03.11

Disputation of The Holy Sacrament


This is a fresco painted by Raphael during the High Renaissance in the Vatican's Stanze di Raffaello, commissioned by Pope Julius II in 1508.







The painting depicts The Church, including all its key members during the Renaissance, debating the doctrine of (can you guess?) Transubstantiation. It is paired with a depiction of The School of Athens directly opposite; The Western tradition's philosophers (Aristotle, Pythagoras, Archimedes, etc) developing Humanism in parallel with the founders of the Catholic Church.

Besides being excited to discover the subject of this blog has been depicted in such a grandiose fashion I was pleased to note that Italy also is graced with ridiculous signage. There was a plaque below the Disputation saying "This fresco painted by Raphael is titled "The Disputation of the Holy Sacrament", but it should really be called "The Triumph Of The One Great Truth" as it depicts the founding of our great Holy Church."







Another highlight was the name of the company that made the pew benches in St. Peter's Cathedral. A small plaque on the back of each bench boldly declared: "GENUFLEX"

This is wildly appropriate, as an experience of High Renaissance religious painting (produced by some of history's most licentious characters) is robust, physical and mighty. The link between representation (in its most accomplished form, Renaissance Perspective) and the violence, the muscle required to establish a dominant rhetoric becomes immediately obvious. The environments are immersive, total, and completely overwhelming.



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02.17

The beginnings of a found-image essay

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Bertolt Brecht - War Primer
Bertolt Brecht - War Primer
http://www.aolnews.com/2011/02/09/vatican-says-iphone-app-cant-forgive-sins/
http://itunes.apple.com/us/app/confession-a-roman-catholic/id416019676?mt=8
Wellcome Trust "What Am I?" Exhibition at the London Museum of Science
John Stezaker
Modest Mouse "Blame It On The Tetons"



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02.04

The 2 month disappearance has at last come to a close. Between going back to Canada for the holidays and a number of projects that have overwhelmed me, I've hardly had time to blink let alone come up with a post for this blog.

What I've been working on:


A collaboration with Samuel Keogh, titled Before Commandments, for an exhibition at Shudder Gallery in April.







An article that will be published in Poetry is Dead

An article that will be published in Under/Current Magazine

A language/food fast in the style of early reformation mystics (more on this in a later post)

Preparing a piece for the Chisenhale Residency workshop that will happen on February 21st



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the one article has been giving me a particular amount of trouble, and in the end, with the indispensable help of Yannis (working with an editor is such a luxury), I finally decided to split the article into two separate things. The bit I won't be using, sadly, is on Transubstantiation, but I will develop this into something larger for another project. Since it is relevant to this blog, here you go: a be-laboured definition of what Transubstantiation is (in case you were wondering this whole time):



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After religion lost its authority on suffering and reason to science after the enlightenment, a main project of art in the 20th Century has been to take over the tradition of mystical exploration from the church, being driven by a “…quest for a consciousness purified of contaminated language”* . It was first Duchamp, and later Conceptual artists who first made art’s obsession with language explicit, tracking the dispersion of mundane objects into an art discourse*.With Duchamp’s Fountain, a toilet became a conduit for the highest level of cultural thought just as a cracker previously provided a way to inject divinity into the body of a believer via Transubstantiation.

Transubstantiation is a doctrine belonging to the Catholic church and becomes an excellent device with which to identify the residue of religious ideology in art, and to re-purpose embodied ritual for use in contemporary art practice. According to the doctrine a person who receives the Host is spiritually transformed into the food he has eaten.

Transubstantiation? (or: I never went to Sunday School)


Transubstantiation is a theological belief associated with the practice of observing the Eucharist, also known as the Holy Communion. The practice is common to Protestants and Catholics alike, and is described by the Apostle Paul in his first letter to the Corinthians (11:23--26) where he reminds the church of Jesus’ wish that they break bread and drink wine in remembrance of his sacrifice.

These instructions were first carried out by members of the early church in Rome
and continue to be enacted in the present day. What makes The Catholic approach unique is the ‘Host’, which represents the body of Christ and using the power of God’s presence, simultaneously is the body of Christ. The Host consists of bread (in today’s terms, wafers or soda crackers) and wine (or non-alcoholic grapejuice). Transubstantiation is an infinitely repeatable miracle where the act of consuming the Host deposits holy essence deep into the bowels of a believer. One doesn’t need to stretch the imagination very far to guess what obsessions this cannibalistic allegory generated with regards to saliva, oral hygiene, the state of the stomach and the quality of a believer’s digestion* .

The key component of Catholicism is observing these forms of ritual and bodily absorption to bring about salvation (blood, guts, glory), rather than in Protestantism where the body suddenly disappears in the 1600’s and salvation comes through personal choice, reason or hearing the ‘word’ (evangelism)*.


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*Susan Sontag - The Aesthetics of Silence Aspen Magazine, 1967
*Seth Price - Dispersion, 2002
*Camporesi - The Fear of Hell: Images of Damnation & Salvation in Early Modern Europe
*CBC Ideas - The Early Modern Period



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12.04





The last post presented the problem of how structures, like language, or history, or reason, mediate the experience of an object and allow a person to communicate that experience to someone else. The limitations inherent in this strategy are met on my part with a certain amount of frustration.

In thinking about how to resolve this problem I happened to attend a Coney Island themed drag show at the Working Men's Club in London, Bethnal Green. The final act was a performer from Finland named The Baron. His relationship to objects was simple: he inserted them into his body while we watched.



He began by hammering nails into his nose.

From there he took two weights, each attached to a chain with a hook.

Using the hook, he suspended the weights from 3 locations:

1. A piercing in his nose

2. A piercing in his ears

3. A piercing in his nipples

4. His eye sockets








Witnessing these actions and sharing this experience of an object, all I could think was "This is where language leaves me".
Writing about it now is merely a residue, a report back from the singular field of experience.



pictures provided by Ayesha Moarif




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12.02


Sir Isaac Newton's Prism



Object Encounter



Case 3: Rocks and Minerals
Enlightenment Room, British Museum

Description:

A mottled surface. Hatched markings, multi-directional.A network of tiny fissures enmeshing the stone, as if somehow a collection of scratches has been assembled into a form. As if it was built by a process of inverse reduction; if reduction were somehow additive.
The larger cracks are loosely bound together. A chalky print in negative revealing the darkness of the stone, a filmy white that allows only a hint of the black beneath to peek through.
Then, depending on what angle you look from a mother-of-pearl rainbow appears, emerging from the depths, breaking across the surface.
It is behind glass, in a mahogany box with a near invisible stand. It will last longer than the walls that contain it.





Aztec Obsidian Mirror, used for consulting the dead




Question:

What do you say to me as I sit here (inappropriately) and listen? I am here to lend you my ears oh labradorite. Your presence has spoken to me louder than all the other objects. In my memory I lent you a much more extravagant, yet typical form. In my mind you were a jagged clumps of crystals, like the New Age, like Superman, the image of a crystal rather than a humble rock, something somber when seen from a distance and expansive up close.





Enlightenment Room, British Museum




Interrogation:

My view of you is always interrupted by a bar, constantly reminding me of my forcible removal from the physical, the material, and my knowledge of how to engage with it. I can only look from a mediated distance, a tool brought to us in the enlightenment, by reason. After transubstantiation was dismantled, we were quarantined to a distant and immaterial understanding of the world. Quarantined to an understanding demonstrated through language rather than acts.
Here, now, I feel the echo of this strategy and wonder how it has mutated and come to be experienced in present times. What are the rock collections and taxidermies of late Capitalism? of Quantum Physics?
The brain in the jar has become the organic computer. We watch a re-mixed fan video of a scientist measuring a brain in a jar on youtube. The original file has been lost, or banned from viewing due to copyright infringement.



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11.22




This Is Your Brain on Metaphors
By ROBERT SAPOLSKY


"Chen-Bo Zhong of the University of Toronto and Katie Liljenquist of Northwestern University demonstrated how the brain has trouble distinguishing between being a dirty scoundrel and being in need of a bath."
...
"This neural confusion about the literal versus the metaphorical gives symbols enormous power, including the power to make peace"

Full article here:


The implications of this article highlight my interest in language, and why I focus on its use in particular as an emancipatory device. It was while apprenticing with a shaman (2007-09) I began my interest in the power of metaphor to create physical realities. I knew I would never make a proper shaman, as the guides I kept getting were writers (notably: ee cummings and Simone de Beauvoir), and they would tell me to get out of my trance and go write, already. However, through the process of study, I saw numerous instances where people would use Shamanic techniques to access what I would describe as images or metaphors. I was always more blown away by the images, or stories that people would share after journeying, rather than assuming any kind of other-worldly presence. The main content of the journey would result in a metaphor shift (the bear came to me and gave me a tool that lets me adopt a mode of being that I desire). In a very powerful and physical way it enables someone bodily to inhabit a different story. I saw lifelong physical problems disappear after the right body-metaphor was discerned and a ritual was performed to release it.

In a similar vein, I have been thinking about my use of fabric when thinking about language and its connection to sovereignty. As a kid learning to sew my Grandmother would often condemn my fabric choices saying “Those types of fabric don’t work together. Their qualities are too different, they will pull apart if you try and put them together”.
As I have begun to develop my own practice in textiles, I have learned through the ingenuity required by quilting that any type of fabric can be joined to any other type of fabric, as long as you can figure out an appropriate stitch.





Like William Morris I am for a slowness in production as a form of emancipation, as a protest against the alienation of capitalist labour. I am for a language that acts as a stitch, one that will allow the union of two very different, seemingly incompatible ways of being, or views of the world.


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Last night I had a dream about the Reformation, except it was happening now. The IMF had come to London, and were assessing how it could save the economy. I waited in a cement parking lot with my friends. There were parallel meetings of academics, trying to figure out how to counteract whatever damage the IMF was planning.
Conclusions were reached, and we read the newspaper to find out what they proposed as a solution. I was horrified to discover that they didn't want to change anything other than getting rid of the zoo. I was weeping, saying "There aren't any animals left in the city anyway, and now they're taking away the only ones we have." I wondered if perhaps it wasn't such a terrible thing, as the animals were in cages, so at least they would be free. But then my friend reminded me that meant the animals would be killed, as an animal bred in captivity cannot survive when released in the wild.
I wondered about the dissolution of trade borders, and through this the dissolution of Nations, and how this is returning us to the way things were before the Reformation. Since the transformations of that time were in large part brought about by new technology, I wondered what technology it was that contributed the most to the current state of affairs.
In my dream the answer was Facebook. If it has not created it, FB at least exists as the largest symptom of the dissolve of the individual, of the border between public and private, which was one of the largest components of Modernity begun in the reformation (for more about this, read Richard Senet - The Fall of Public Man). Facebook allows for the simulation of an individual identity, while all components of the individual are collected by data agencies, and lumped into 'interest groups' or marketing categories. It is the biggest actor in this drama, mimicked in many smaller ways in the rest of culture. The notion of individuality is a romantic residue that is purely symbolic, exploited by the market. Even philosophy is positing the self as a construction that evolved to serve the function of allowing one organism to communicate with another, that can be dissolved by meditation or psychedelic drugs. (Thomas Metzinger)

I realized I was sitting in a cement parking lot, philosophizing, and that I wasn't getting any rest by dreaming about this. I made a note to remember these thoughts (I have to remember: ZOO, FB, IMF), and finally slept dreamlessly for the rest of the
night.


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11.17


ersatz, bodily crystal ball



CBC Ideas: The origins of the modern public Sept. 17 2010

Episode 2 - The Reformation


CBC Ideas is the only reason I listen to the radio. I already was excited about the content of their programming, but just last week I stumbled on a series of episodes discussing “The Origins of The Modern Public”, which at first glance sounds about as exciting as watching paint dry. However, episode two deals with, unbelievably, the subject of Transubstantiation and how it contributed to the birth of the Modern notion of public.

To listen to the entire episode click here:

In an instance of academic synchronicity, I attended a lecture at Goldsmiths University on Monday (Nov. 15 2010) led by Michael Newman discussing the development of the Modern Public. The main part of the lecture focused on the public typically being represented after the French Revolution by images of a hand holding the decapitated head of the King, signaling the severance of the state's sovereignty from the head of the king and transferring it to the ‘Body Politic’.

All further writing in this post will be drawing from information contained in the lecture and radio series (episodes 1-9).

I should really describe the images in the lecture as the dis-embodied hand of the ‘body politic’, holding the guillotined head of the King, as it points out a fundamental paradox that seems to emerge in the 1600’s, or ‘early modern’ period (as it’s now being called by a group of researchers called “Making Publics” based at McGill University in Montreal). This paradox is the problem of sovereignty; where it goes and how it is expressed.


Before I elaborate on this I will give a cursory outline for the key components of the birth of the Modern Public presented by the CBC, and if you want more detail you can listen to the archived podcasts.

(click More for a very long history lesson)

More...

In the episode that interests me, Torrance Kirby, Matthew Milner, and Robert Tittler talk about a new form of consciousness that emerges out of a few interlocking factors: the new technology of maps and navigation tools, the distillation of regional dialects into an official, written language and the corresponding invention of Grammar, and the printing press. These technologies allowed people to create a new relationship between themselves and the world. Suddenly someone in France could compare the size, literature, language, or costume of their country to that of Italy, England, or anywhere else that had access to the same technology. Suddenly the idea of being a citizen in a Nation, with an Official Language that could be distributed and read came into being. There were also radical advances in science that proved many sacred doctrines of the church (like the humours, astrological notions, etc) to be false.

Alongside these technological developments was the cataclysmic emergence of Protestantism. In 1534 the Affair of The Placards shook France when radicals used a printing press to produce a denouncement of the Catholic Church and put up flyers around Paris and the surrounding area.
In Germany, 1517, Martin Luther nailed The Ninety-Five Theses to the door of the Church of All Saints and was excommunicated by the Pope.
In England, it’s 1532 and Henry VIII wants to divorce Catherine of Aragon, and defects from the Church of Rome to found the Church of England, but only after publicly denouncing Martin Luther and being awarded the title of “Defender of The Faith” by the Pope.

The key issue that united these refusals of Rome was that of Transubstantiation. It refers to the practice of eating bread and drinking wine, as outlined at the Last Supper by Jesus before he is sacrificed. A person is considered to consume what is called the Host and the Eucharist, which in the Catholic tradition is thought to be not only bread (or cracker) and wine (or grape juice), but also the blood and body of Christ incarnate. Pre-modern minds treated the activity as an allegory; the deed and the idea were one.
Protestantism proposed that this was at best absurd, at worst evil, and that the Eucharist was an empty sign, referring to nothing other than the belief held by the person consuming. As their take on the doctrine developed, they became known as Iconoclasts (literally: destroyers of images) and throughout the Reformation destroyed Catholic objects, imagery and decoration in cathedrals.
For Protestantism, the rituals and objects stood between the believer and God, and the only way for someone to receive the Host was directly by The Word. This shifted culture from one of embodied practices to one of persuasion, or salvation through Evangelism (Etymological root: Good News).

This was bad news for the Monarchy. The sovereignty of the King was determined by his being appointed by God. He was literally the Host incarnate, the embodiment of Divinity. If Protestantism was right, then it would not be possible for the King to be possessed by the Host, and thus his sovereign right to rule was compromised. Also, since he was the living incarnation of the God-Head, he got to decide how the entire country would practice religion. Saying the King wasn’t possessed amounted to not only heresy, but anarchy as well.

This, alongside the technological developments, demanded that subjects begin to make up their own minds about what they thought was necessary for salvation and subjectivity. As Protestantism grew, the Monarchy needed to assert itself as still relevant. St. Paul's Cathedral in London began a series of what you could call public sermons, where groups of individuals came to listen to pastors preach about the falsity of Transubstantiation, and also the relevance of the monarchy in-spite of the King not being ordained by God. The interesting thing about these sermons was that they were not mandatory. Previously, if a subject did not attend Sunday Mass, they risked being imprisoned. For the first time in history, people were gathering on a basis of personal interest and investment. There was not as large a pedagogical effort in France, who preferred to kill off Protestants by burning them at the stake or by hanging. Riots broke out across Europe as leaders switched religions by the decade. A subject could no longer trust the ruler to decide how they would be saved, so they started to decide for themselves, to see themselves as an individual in a body of invisible, but likeminded ‘others’ who shared their belief, opposed by an (also) invisible group of people with an opposing set of values.



...

Through all this it becomes clear just how dependent the political sphere was on religious pedagogy, and how this defined the inner life of a subject. This brings me back to the idea that sovereignty moved from the head of the King to the Body Politic, which was just beginning to develop. For the first time society, and by extension subjectivity, was thought of as something to be discussed, or publicly debated.


The Body Politic became sovereign, and here lies the paradox that interests me. First, sovereignty was exclusive to men. Women were relegated to an increasingly restrictive and patriarchal domestic sphere (it didn’t always exist that way!) and the care of a newly invented class of citizens, children*. Servants were not considered citizens either, and thus both groups were denied access to sovereignty. It was limited to landowners, men. Queen Elizabeth even had to de-sex herself (referring to herself as a virgin, or with male pronouns) in order to have access to the sovereignty required to rule.

The second point of paradox is in the location of sovereignty. Both Politics and Religion were contained in the head of the King. After his head was cut off, Sovereignty was said to move into the Body Politic. However, this was in large part instigated by Protestantism, which, by attacking Transubstantiation, removed embodiment from politics and religion. In this way Sovereignty is still located in the head; the mouth for discussion and evangelizing, and the ears for hearing the Word.

Sovereignty was thought to be a lived practice, or embodied, and available to one person. From there it was abstracted into Language, and available to a few people. The key myths commonly preached during this time were the Tower of Babel, an example of language dividing, and the Day of Pentecost, where people are possessed by every different tongue (The Word), and unified through language. People were divorced forcibly from ritualized objects, and rigid forms of taxonomy began to develop, the kind typified later in the Enlightenment. The body was forgotten in favour of the mind, subjective experience replaced by reason, and Calvin burnt anyone who disagreed.


As it turns out, this was not a cursory post. Instead, I will consider this an outline for a further trajectory of inquiry. Where did sovereignty go? What does it mean now? Walter Benjamin wrote about the Melancholic - the sovereign who is overwhelmed by objects and unable to decide. He is joined by Agamben describing sovereignty as ‘he who decides the exception to the law’. Where is individual sovereignty located, regardless of gender? Where is sovereignty without exclusion? Can I locate sovereignty in my body, rather than in my head? Can I exorcise this possession of rhetoric, not hear the Word, but practice it in ritual?

To come: attempts at providing answers for these questions, especially in the context of what looks like a return to Feudalism for industrialized Western society, thanks to the WMF and the collapse of the economy.





*this is a topic that warrants many more essays.



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11.10

I have come to realize that I have been suffering from what can only be described as culture shock, but rather than being caused by people or food, it is brought about by the architecture, planning of the city, and agriculture. London is a strange contrast of warm, welcoming people, and an absolutely brutal approach to public and private space. There are hidden gems, but more on that later.
It would be false to assert that the treatment of usable space is due to how small the island the United Kingdom is situated on. Vast quantities of land are wasted, paved over in concrete, inert and unusable. Many areas house abandoned factories whose presence have consequently prevented the land from being usable for anything else. All of the vegetables are pre-cut and wrapped in plastic.

I went from this:










to this:









I couldn't figure out if this was supposed to be a park, a square, or a parking lot
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there were signs saying that if you go on the beach you risk accidentally deploying an explosive or being shot








without irony I can say that my favourite part about London is the signage



















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10.30




read the whole book here:

courtesy Marwin Bald



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